Imagine you have a drum machine that’s controlled with the trigger pads on your MIDI controller. The audio output of the drum machine is routed to a loop pedal. You step on the looper once to record, then again to playback. If you flub a note it’s back to the drawing board, and there’s no chance of changing the speed of the loop without also messing with the pitch of the recorded audio. As fun as live looping can be, the limitations of looping audio can shackle you to a rigid workflow that’s easy to screw up.
17:50, 9 марта 2026Мир,详情可参考有道翻译官网
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